Upcoming Shows

A live performance installation located at 608 Fillmore Avenue

Five Songs for Fillmore Avenue
Kenneth Collins | Co-Produced by Torn Space Theater

Dates: May 1-3, 8-10, 15-17 2020
Venue: AMLDC 612 Fillmore Ave. Buffalo, NY 14212
Tickets: $30

Tickets Available Soon

Five Songs for Fillmore Avenue is the newest project by contemporary performance creator Kenneth Collins of the company Temporary Distortion. This project will be developed in residence at Torn Space Theater and feature a local cast and design team. Specializing in multimedia installation, Collins will use the architecture of Torn Space’s new design studio, LIGHT/STATION, as the backdrop of a lush sound and light-drenched performance on the corner of Fillmore and Paderewski for a neighborhood audience. Five Songs will be the first performance of a site-based series including work by Torn Space entitled NEIGHBORHOOD.

Artist Biography

Kenneth Collins is an interdisciplinary artist living in New York City and working internationally, specializing in theatrical design and postdramatic performance.

He is the founder and Artistic Director of Temporary Distortion, a genre-bending performance group whose work explores the potential tensions and overlaps found between practices in visual art, theater, cinema, and music. He works across and between disciplines to create installation-based performances, visual art, films, albums, and works for the stage.

His work with Temporary Distortion has been seen in the United States, Canada, Europe, Eastern Europe, Russia, Japan, South Korea, and Australia.

About Temporary Distortion

Temporary Distortion explores the potential tensions and overlaps found between practices in visual art, theater, cinema, and music. The group works across and between disciplines to create performances, installations, films, albums, and works for the stage that have been shown in over 25 cities in Australia, Austria, Canada, the Czech Republic, France, Greece, Hungary, Japan, Russia, South Korea, Switzerland, and the United States.

Interdisciplinary artist Kenneth Collins formed Temporary Distortion in 2002 when he began staging intimate performances in claustrophobic, life-size shadow boxes in New York City. Temporary Distortion’s recent work has focused on long-duration, installation-based performances featuring live music, during which spectators are encouraged to come and go throughout all-night events.

Temporary Distortion is based in New York City, where its work has been presented at The Baryshnikov Arts Center, The Chocolate Factory, The Ontological-Hysteric Theater and Performance Space 122. The Company’s work has also been presented internationally at: Brisbane Powerhouse (Brisbane, AU), Exit Festival (Paris, FR), Gare Saint-Sauveur (Lille, FR), LiFE (Saint-Nazaire, FR), Mois Multi (Quebec City, CA), On the Boards (Seattle, WA), Prague Quadrennial (Prague, CZ), Salzburg Festival (Salzburg, AT), SPAC (Shizuoka, JP), Théâtre de l’Agora (Évry, FR), Théâtre Garonne (Toulouse, FR), Theatre Junction (Calgary, CA), Theatre National de Toulouse (Toulouse, FR), Trafó (Budapest, HU), Usine-C (Montreal, CA), and Via Festival (Maubeuge, FR).

Articles discussing Temporary Distortion’s work have been published in Contemporary Theatre Review, The Drama Review, The New York Times, TheatreForum, Live Design, Real Time Arts, and The Brooklyn Rail, with an upcoming profile in Chance Magazine.

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